See Touring with Cable and Huck for review.
"Mr. Clemens' selections were "King Sollermunn," from the "Adventures of Huckleberry Finn," "The Tragic Tale of the Fishwife"--a vastly funny burlesque on the queer genders of the German language--"A Trying Situation" and "A Ghost Story." The "Fishwife" was recalled, whereupon Mr. Clemens tried on the audience a little bit of stammering work that went very well. "The Ghost Story" was a good deal of a chestnut, but the ex-pilot did it admirably and there was a great shout of laughter when the disclaimer, at the end of his long and harrowing account, shouted "boo!" and the ladies of the audience jumped up and screamed in terror. The manner in which Mr. Clemens gets on and off a stage is a sight to behold. He starts on in a funny little jog trot, half sideways, with his eyes cast up to the gallery, with a comical look of half inquiry and half appeal. Then he begins to deliver his humorous conceits with an expression of placid and childlike innocence that is almost as ludicrous as the words he is uttering. His gestures are eloquent, if not graceful, and would make any audience laugh, even if Mark had nothing to say. With these accessories his oldest story becomes just as fresh as though it were "fire-new from the mint.""
Sunday, January 25, 1885:
Sam wrote from Minneapolis to Charles Webster, again about business matters—the bed clamp, Osgood’s statement, books sold, American Publishing Co., and money Webster needed, probably for continued production of Huck Finn. Sam ended with, I ought to have staid at home & written another book. It pays better than the platform [MTP].