We visited the places where Jesus worked for fifteen years as a carpenter, and where he attempted to teach in the synagogue and was driven out by a mob. Catholic chapels stand upon these sites and protect the little fragments of the ancient walls which remain. Our pilgrims broke off specimens. We visited, also, a new chapel, in the midst of the town, which is built around a boulder some twelve feet long by four feet thick; the priests discovered, a few years ago, that the disciples had sat upon this rock to rest, once, when they had walked up from Capernaum. They hastened to preserve the relic. Relics are very good property. Travelers are expected to pay for seeing them, and they do it cheerfully. We like the idea. One’s conscience can never be the worse for the knowledge that he has paid his way like a man. Our pilgrims would have liked very well to get out their lampblack and stencil-plates and paint their names on that rock, together with the names of the villages they hail from in America, but the priests permit nothing of that kind. To speak the strict truth, however, our party seldom offend in that way, though we have men in the ship who never lose an opportunity to do it. Our pilgrims’ chief sin is their lust for “specimens.” I suppose that by this time they know the dimensions of that rock to an inch, and its weight to a ton; and I do not hesitate to charge that they will go back there to-night and try to carry it off.
This “Fountain of the Virgin” is the one which tradition says Mary used to get water from, twenty times a day, when she was a girl, and bear it away in a jar upon her head. The water streams through faucets in the face of a wall of ancient masonry which stands removed from the houses of the village. The young girls of Nazareth still collect about it by the dozen and keep up a riotous laughter and sky-larking. The Nazarene girls are homely. Some of them have large, lustrous eyes, but none of them have pretty faces. These girls wear a single garment, usually, and it is loose, shapeless, of undecided color; it is generally out of repair, too. They wear, from crown to jaw, curious strings of old coins, after the manner of the belles of Tiberias, and brass jewelry upon their wrists and in their ears. They wear no shoes and stockings. They are the most human girls we have found in the country yet, and the best natured. But there is no question that these picturesque maidens sadly lack comeliness.
A pilgrim—the “Enthusiast”—said: “See that tall, graceful girl! look at the Madonna-like beauty of her countenance!”
Another pilgrim came along presently and said: “Observe that tall, graceful girl; what queenly Madonna-like gracefulness of beauty is in her countenance.”
I said: “She is not tall, she is short; she is not beautiful, she is homely; she is graceful enough, I grant, but she is rather boisterous.”
The third and last pilgrim moved by, before long, and he said: “Ah, what a tall, graceful girl! what Madonna-like gracefulness of queenly beauty!”
The verdicts were all in. It was time, now, to look up the authorities for all these opinions. I found this paragraph, which follows. Written by whom? Wm. C. Grimes:
“After we were in the saddle, we rode down to the spring to have a last look at the women of Nazareth, who were, as a class, much the prettiest that we had seen in the East. As we approached the crowd a tall girl of nineteen advanced toward Miriam and offered her a cup of water. Her movement was graceful and queenly. We exclaimed on the spot at the Madonna-like beauty of her countenance. Whitely was suddenly thirsty, and begged for water, and drank it slowly, with his eyes over the top of the cup, fixed on her large black eyes, which gazed on him quite as curiously as he on her. Then Moreright wanted water. She gave it to him and he managed to spill it so as to ask for another cup, and by the time she came to me she saw through the operation; her eyes were full of fun as she looked at me. I laughed outright, and she joined me in as gay a shout as ever country maiden in old Orange county. I wished for a picture of her. A Madonna, whose face was a portrait of that beautiful Nazareth girl, would be a ‘thing of beauty’ and ‘a joy forever.’”
That is the kind of gruel which has been served out from Palestine for ages. Commend me to Fenimore Cooper to find beauty in the Indians, and to Grimes to find it in the Arabs. Arab men are often fine looking, but Arab women are not. We can all believe that the Virgin Mary was beautiful; it is not natural to think otherwise; but does it follow that it is our duty to find beauty in these present women of Nazareth? I love to quote from Grimes, because he is so dramatic. And because he is so romantic. And because he seems to care but little whether he tells the truth or not, so he scares the reader or excites his envy or his admiration.
He went through this peaceful land with one hand forever on his revolver, and the other on his pocket-handkerchief. Always, when he was not on the point of crying over a holy place, he was on the point of killing an Arab. More surprising things happened to him in Palestine than ever happened to any traveler here or elsewhere since Munchausen died.
Note: Grimes is actually William Cowper Prime and his book is "Tent Life in the Holy Land" (1857) Twain had this to say: I am aware that this is a pretty voluminous notice of Mr. Grimes’ book. However, it is proper and legitimate to speak of it, for “Nomadic Life in Palestine” is a representative book—the representative of a class of Palestine books—and a criticism upon it will serve for a criticism upon them all. And since I am treating it in the comprehensive capacity of a representative book, I have taken the liberty of giving to both book and author fictitious names. Perhaps it is in better taste, any how, to do this.
Interesting that Grimes had a similar opinion of the women of Nazareth at did Murray (page 359-60):
"The women are famed, and justly too, for their beauty. If we go out and sit for an hour of an evening by the little fountain, we will see many a face which Raphael might have chosen as a study when about to paint his Madonna della Seggiola ; and many a figure that Phidias might have selected as a model for a Venus. Their style of dress and ornament will also attract attention—the capacious shintiân, the close-fitting jacket, and the long, pointed, white veil; then the curious strings of large silver coins round the head and chin, reminding one of the massive chain of a dragoon’s helmet. The fountain is here the place for gossip and flirtation; and the young damsels of Nazareth, as they gracefully poise the pitcher of water on head or shoulder, are just as ready to give drink to a well-conditioned stranger, or to give ear to a proposal of marriage, as Rebekah was at the fountain in Mesopotamia nearly 4000 years ago."