Submitted by scott on

Summer – This was the first year of long summer visits to the Quarles Farm, about three and a half miles northwest of the old Clemens home in Florida, Mo.. These visits would continue until Sam was eleven or twelve (1847-8). Sam was seven on this first visit. He loved his uncle John Quarles, a warm, affable, hospitable, country man who told jolly jokes and played with the children. Quarles made hunting trips through the woods. His wife Aunt Patsy set a marvelous table; they had eight children and about thirty slaves (some sources say far fewer). These idyllic summers were grist for many of Sam’s later stories. Sam had a favorite playmate cousin a year younger than him, Tabitha Quarles (1836-1917), they called “Puss.” He loved cats (his mother had at one time nineteen felines about!). Puss recalled:

When he arrived at the farm father would lift his big carpet bag out of the wagon and then would come Sam with a basket in his hand. The basket he would allow no one except himself to carry. In the basket would be his pet cat. This he had trained to sit beside himself at the table. He would play contentedly with a cat for hours, and his cats were very fond of him and very patient when he tried to teach them tricks [Wecter 92].

Significant was Sam’s exposure and relationship with the Negroes, especially with Aunt Hanner, Uncle Dan’l (b.1805?) and Uncle Ned, the latter a slave of his father’s in the Florida days, and the source of the “Golden Arm” story [Wecter 46].

“It was on the farm that I got my strong liking for the race, and my appreciation of certain of its fine qualities” [Nieder 6].

Sam made a sketch of Uncle Dan’l, using that name in The Gilded Age. He later acknowledged that the Dan’l was the model for Huck’s friend Jim. Lorch writes “it was probably from John Quarles that Mark Twain first heard the Jumping Frog story, an ancestral version of the one he later heard in the barroom at Angel’s Camp in California” [Nieder 10].

Day By Day Acknowledgment

Mark Twain Day By Day was originally a print reference, meticulously created by David Fears, who has generously made this work available, via the Center for Mark Twain Studies, as a digital edition.   

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