November 10, 1869 Wednesday

November 10 Wednesday – Sam lectured to a full house of 2,600 in Music Hall, Boston, Mass. – Sam’s letter of Nov. 9 to his sister was no exaggeration—the Boston lecture was critical to Sam’s continued success on the lecture circuit. Boston was the literary capital of the country, and success there meant easy sledding elsewhere in New England. Sam wrote from Boston to Livy his plans to spend New Year’s Day at home.  

November 7 to 13, 1869 Saturday

November 7 to 13 Saturday – sometime during this week Horatio G. Smith of Boston photographed Clemens with Josh Billings (Henry Wheeler Shaw) and Petroleum V. Nasby (David Ross Locke) and titled the photo “American Humorists” [MTL 3: 406, 408n10]. The “V” for “Vesuvius.”

October 31, 1869 Sunday 

October 31 Sunday  Sam continued the Oct. 30 letter to Livy:

“I walked around town this morning with a young Mr. Dean, a cousin of Wm D. Howells, editor of the Atlantic Monthly. He kindly offered to give me a letter of introduction to Mr. Howells, but I thanked him sincerely & declined, saying I had a sort of delicacy about using letters of introduction…”

October 30, 1869 Saturday

October 30 Saturday  Sam arrived in Pittsburgh in the afternoon, for his Nov. 1 lecture. He was the guest of honor at a banquet at McGinley’s Dining Saloon, on Wood Street, given by the lecture committee of the Mercantile Library Association [MTL 3: 382n2]. Lorch says it was an “oyster supper” [105].

October 27, 1869 Wednesday

October 27 Wednesday  Sam wrote from Elmira to Emily A. Severance in Cleveland. The Severances had been cabin mates on the Quaker City. Sam had sent them a copy of Innocents and answered her thanks. Sam wrote he expected to be in Cleveland the next day on the way to Pittsburgh, but a derailment on Oct.

October 23, 1869 Saturday

October 23 Saturday  Sam’s article, “The Legend of the Capitoline Venus,” was published in the Express. This is one of Sam’s earliest in the paper. The title was shortened to “The Capitoline Venus” upon reprinting in Sketches, New and Old (1875) [Wilson 177]. This story was similar to his Innocents Abroad material involving the public’s gullibility to artistic hoaxes.

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