There is nothing pretty about an Indian village—a mud one—and I do not remember that we saw any but mud ones on that long flight to Allahabad. It is a little bunch of dirt-colored mud hovels jammed together within a mud wall. As a rule, the rains had beaten down parts of some of the houses, and this gave the village the aspect of a mouldering and hoary ruin. I believe the cattle and the vermin live inside the wall; for I saw cattle coming out and cattle going in; and whenever I saw a villager, he was scratching. This last is only circumstantial evidence, but I think it has value.

But we did not see the treasury of crown jewels, and that was a disappointment, for in mass and richness it ranks only second in India. By mistake we were taken to see the new palace instead, and we used up the last remnant of our spare time there. It was a pity, too; for the new palace is mixed modern American-European, and has not a merit except costliness. It is wholly foreign to India, and impudent and out of place. The architect has escaped. This comes of overdoing the suppression of the Thugs; they had their merits.

By and by to the elephant stables, and I took a ride; but it was by request—I did not ask for it, and didn't want it; but I took it, because otherwise they would have thought I was afraid, which I was. The elephant kneels down, by command—one end of him at a time—and you climb the ladder and get into the howdah, and then he gets up, one end at a time, just as a ship gets up over a wave; and after that, as he strides monstrously about, his motion is much like a ship's motion.

Out of the town again; a long drive through open country, by winding roads among secluded villages nestling in the inviting shade of tropic vegetation, a Sabbath stillness everywhere, sometimes a pervading sense of solitude, but always barefoot natives gliding by like spirits, without sound of footfall, and others in the distance dissolving away and vanishing like the creatures of dreams. Now and then a string of stately camels passed by—always interesting things to look at—and they were velvet-shod by nature, and made no noise. Indeed, there were no noises of any sort in this paradise.

In Bombay the forewoman of a millinery shop came to the hotel in her private carriage to take the measure for a gown—not for me, but for another. She had come out to India to make a temporary stay, but was extending it indefinitely; indeed, she was purposing to end her days there.

Always before, we had driven through streets that were multitudinous and tumultuous with picturesque native life, but now there was nothing of that. We seemed to move through a city of the dead. There was hardly a suggestion of life in those still and vacant streets. Even the crows were silent. But everywhere on the ground lay sleeping natives-hundreds and hundreds. They lay stretched at full length and tightly wrapped in blankets, heads and all. Their attitude and their rigidity counterfeited death.

Twain witnessed nautch dancing in two locations while visiting Bombay. He first mentions it during his visit to a ceremony in Byculla:

The next picture that drifts across the field of my memory is one which is connected with religious things. We were taken by friends to see a Jain temple. It was small, and had many flags or streamers flying from poles standing above its roof; and its little battlements supported a great many small idols or images. Upstairs, inside, a solitary Jain was praying or reciting aloud in the middle of the room. Our presence did not interrupt him, nor even incommode him or modify his fervor. Ten or twelve feet in front of him was the idol, a small figure in a sitting posture.

From Following the Equator:

"... from this glow of color and this sunny life to those grim receptacles of the Parsee dead, the Towers of Silence. There is something stately about that name, and an impressiveness which sinks deep; the hush of death is in it. We have the Grave, the Tomb, the Mausoleum, God's Acre, the Cemetery; and association has made them eloquent with solemn meaning; but we have no name that is so majestic as that one, or lingers upon the ear with such deep and haunting pathos.

And following it came a picture of the ancient civilization of India—an hour in the mansion of a native prince: Kumar Schri Samatsinhji Bahadur of the Palitana State.