August 4 Saturday – In Elmira Sam wrote to Louis Pendleton, a young unknown Georgia writer who had sent him a true story for his opinion.

MY DEAR SIR, — I found your letter an hour ago among some others which had lain forgotten a couple of weeks, and I at once stole time enough to read Ariadne. Stole is the right word, for the summer “Vacation” is the only chance I get for work; so, no minute subtracted from work is borrowed, it is stolen. But this time I do not repent. As a rule, people don’t send me books which I can thank them for, and so I say nothing — which looks uncourteous. But I thank you. Ariadne is a beautiful and satisfying story; and true, too — which is the best part of a story; or indeed of any other thing. Even liars have to admit that, if they are intelligent liars; I mean in their private [the word conscientious written but erased] intervals. (I struck that word out because a man’s private thought can never be a lie; what he thinks, is to him the truth, always; what he speaks — but these be platitudes.)

If you want me to pick some flaws — very well — but I do it unwillingly. I notice one thing — which one may notice also in my books, and in all books whether written by man or God: trifling carelessness of statement or Expression. If I think that you meant that she took the lizard from the water which she had drawn from the well, it is evidence — it is almost proof — that your words were not as clear as they should have been. True, it is only a trifling thing; but so is mist on a mirror. I would have hung the pail on Ariadne’s arm. You did not deceive me when you said that she carried it under her arm, for I knew she didn’t; still it was not your right to mar my enjoyment of the graceful picture. If the pail had been a portfolio, I wouldn’t be making these remarks. The engraver of a fine picture revises, and revises, and revises — and then revises, and revises, and revises; and then repeats. And always the charm of that picture grows, under his hand. It was good enough before — told its story, and was beautiful. True: and a lovely girl is lovely, with freckles; but she isn’t at her level best with them.

This is not hypercriticism; you have had training enough to know that.

So much concerning exactness of statement. In that other not-small matter — selection of the exact single word — you are hard to catch. Still, I should hold that Mrs. Walker considered that there was no occasion for concealment; that “motive” implied a deeper mental search than she expended on the matter; that it doesn’t reflect the attitude of her mind with precision. Is this hypercriticism? I shan’t dispute it. I only say, that if Mrs. Walker didn’t go so far as to have a motive, I had to suggest that when a word is so near the right one that a body can’t quite tell whether it is or isn’t, it’s good politics to strike it out and go for the Thesaurus. That’s all. Motive may stand; but you have allowed a snake to scream, and I will not concede that that was the best word.

I do not apologize for saying these things, for they are not said in the speck-hunting spirit, but in the spirit of want-to-help-if-I-can. They would be useful to me if said to me once a month, they may be useful to you, said once.

I save the other stories for my real vacation — which is nine months long, to my sorrow. I thank you again. / Truly Yours / S. L. CLEMENS [MTLP 497].

Sam also wrote to Franklin G. Whitmore, but only the envelope survives [MTP].

The Plimpton Manufacturing Co., Book and Job printing, Hartford, billed $11 for “12 Special Memo Books”; Paid Aug. 10 [MTP]. Note: these were made to Sam’s specifications.