July 28, 1879 Monday

July 28 Monday – The Clemens family traveled just over 70 miles to spend a week in Condover Hall, in North Shropshire on the west English coast. Paine: “For more than two years they had had an invitation from Reginald Cholmondeley to pay him another visit” [MTB 646]. From Sam’s notebook:

July 26, 1879 Saturday

July 26 Saturday  Sam met Lewis Carroll, who later wrote in his diary, “Met Mr. Clemens (Mark Twain), with whom I was pleased and interested” [Green 382]. Paine incorrectly indicates the meeting was in 1873, and uses Sam’s 1906 Autobiography for the recollection of the meeting:

July 24, 1879 Thursday 

July 24 Thursday – Walter F. Brown, illustrator, wrote from Paris. “I have just received your check for £92.16.0 for which many thanks. I enclose receipted account in full. / You may depend on me to see Mr. St. Gaudens probably today. / I will send the remaining drawings very shortly…P.S. the three faulty drawings will be duly corrected” [MTP]. Note: Sam wrote on the env., “Walter F. Brown receipts in full—about $700”.

July 20, 1879 Sunday

July 20 Sunday – The Clemens family arrived in London in the morning. Sam wrote in his notebook that the family arrived in London at 8 AM; that it was rainy and cold. They stayed at the Brunswick House Hotel, Hanover Square. “Have had a rousing big cannel-coal fire blazing away in the grate all day.

July 17 and 18, 1879 Friday

July 17 and 18 Friday  The Clemens family left Amsterdam in the afternoon and went to The Hague, “stopping off 2 or 3 hours at Harlaam & visiting farm house, dairy, & beautiful country seat.”

Livy wrote about the farm to her mother on July 20, mentioning young Fraulein Korthals:

July 14, 1879 Monday

July 14 Monday  Sam took the family aboard the Trenton and breakfasted.

“Admiral Rowan arrived during the meal. I smoked on the Admiral’s side of the deck, not knowing it was sacred by naval etiquette” [MTNJ 2: 328].

July 13, 1879 Sunday

July 13 Sunday  In the morning, Sam and the ladies attended high mass at the Cathedral of Antwerp. “There is nothing solemn or impressive about this exasperating mummery. Rubens masterpiece, the Ascent of the Cross—Christ seems to be an acrobat” [MTNJ 2: 328-9].

Subscribe to