I had always had a deep and reverent compassion for the sufferings of the "prisoner of Chillon," whose story Byron had told in such moving verse; so I took the steamer and made pilgrimage to the dungeons of the Castle of Chillon, to see the place where poor Bonnivard endured his dreary captivity three hundred years ago. I am glad I did that, for it took away some of the pain I was feeling on the prisoner's account. His dungeon was a nice, cool, roomy place, and I cannot see why he should have been dissatisfied with it. If he had been imprisoned in a St. Nicholas private dwelling, where the fertilizer prevails, and the goat sleeps with the guest, and the chickens roost on him and the cow comes in and bothers him when he wants to muse, it would have been another matter altogether; but he surely could not have had a very cheerless time of it in that pretty dungeon. It has romantic window-slits that let in generous bars of light, and it has tall, noble columns, carved apparently from the living rock; and what is more, they are written all over with thousands of names; some of them—like Byron's and Victor Hugo's—of the first celebrity. Why didn't he amuse himself reading these names? Then there are the couriers and tourists—swarms of them every day—what was to hinder him from having a good time with them? I think Bonnivard's sufferings have been overrated.