From Rome to Naples via Cassino and Capua.
[This is apparently from a Bædeker guide but I have lost the specific reference]
155 M. Railway in 5 1/4-10 hrs.; fares by the fast trains; by the ordinary trains, 28 fr. 15, 19 fr. 70, 12 fr. 70 c. A train deluxe, at higher fares, runs every Sat. in 4 hrs. 5 min. (returning on Mon.). — The finest views are generally to the left.
First Impressions
What is there in Rome for me to see that others have not seen before me? What is there for me to touch that others have not touched? What is there for me to feel, to learn, to hear, to know, that shall thrill me before it pass to others? What can I discover?--Nothing. Nothing whatsoever. One charm of travel dies here.
Some Cross Cultural Comparisons
Railroads and Turnpikes
Enroute to Leghorn, Twain spent several hours in Pisa, visiting the Leaning Tower and the Duomo and Baptistery. He revisited Pisa in 1892 with his family. Leghorn (Livorno), a port o'call for the Quaker City, where Twain rejoined the ship. He missed an opportunity to visit Giuseppe Garibaldi, who was on a nearby island. Twain's party boards the Quaker City but they do not depart Leghorn aboard her.
Some of the Quaker City’s passengers had arrived in Venice from Switzerland and other lands before we left there, and others were expected every day. We heard of no casualties among them, and no sickness.
We were a little fatigued with sight seeing, and so we rattled through a good deal of country by rail without caring to stop. I took few notes. I find no mention of Bologna in my memorandum book, except that we arrived there in good season, but saw none of the sausages for which the place is so justly celebrated. Pistoia awoke but a passing interest.
We have seen famous pictures until our eyes are weary with looking at them and refuse to find interest in them any longer. And what wonder, when there are twelve hundred pictures by Palma the Younger in Venice and fifteen hundred by Tintoretto? And behold there are Titians and the works of other artists in proportion. We have seen Titian’s celebrated Cain and Abel, his David and Goliah, his Abraham’s Sacrifice. We have seen Tintoretto’s monster picture, which is seventy-four feet long and I do not know how many feet high, and thought it a very commodious picture.
First Impressions
From Lecco to Bergamo