February 29 Saturday – At 10 p.m. the Clemens party left Agra and traveled 140 miles to Jaipur. (Fears)

March 1 Sunday – In Jaipur the Clemens party took ill — first Sam, then Smythe, then Clara. Sam’s notebook of Mar. 4:
Arrived here next morning at 9 or 10. Immediately ordered by Dr. Hendley to throw up Delhi & other engagements & rest a week or 10 days. Smythe arrived Feb. 1 [Mar. 1] & in bed ill ever since. Clara ditto [NB36 TS 54-5].
March 2 Monday – In Jaipur, Sam was ill in bed. Clara also ill.
March 3 Tuesday – In Jaipur, Sam noted that “Clara & her mother vaccinated” [NB 36 TS 55]. Parsons notes that smallpox broke out in Delhi and Bombay, thus the precaution [“Sightseer” 93 notes].
March 4 Wednesday – In Jaipur, Sam ill in bed. Clara also ill.
March 5 Thursday – In Jaipur, Sam and Clara recovering.
March 6 Friday – In Jaipur, Sam had recovered enough to ride into town, to “the city of victory," founded by Maharajah Jai Singh II in 1728.
Parsons writes,
His most exciting trip to town was on a day of festivity. Everywhere, in streets, squares, and public gardens, in balconies and recessed colonnades of the huge and dazzling palace of Maharajah Sir Sawa Madho Singh, clouds of pigeons and “gloriously clothed people” made a boundless pageant. The occasion, at ten in the morning, was a rich Hindu’s parade of images and objects representing scenes in the life of some god or saint. Caparisoned elephants came like outlandish heralds, then floats bearing the still and holy forms, followed by wonderfully garbed riders on camels. Mark’s comment, “It was the most satisfying show I had ever seen” [“MT India” 91].
(Fears)

From Following the Equator:
At Jeypore, in Rajputana, we made a considerable stay. We were not in the native city, but several miles from it, in the small European official suburb. There were but few Europeans—only fourteen but they were all kind and hospitable, and it amounted to being at home. In Jeypore we found again what we had found all about India—that while the Indian servant is in his way a very real treasure, he will sometimes bear watching, and the Englishman watches him. If he sends him on an errand, he wants more than the man's word for it that he did the errand. When fruit and vegetables were sent to us, a "chit" came with them—a receipt for us to sign; otherwise the things might not arrive. If a gentleman sent up his carriage, the chit stated "from" such-and-such an hour "to" such-and-such an hour—which made it unhandy for the coachman and his two or three subordinates to put us off with a part of the allotted time and devote the rest of it to a lark of their own.

We were pleasantly situated in a small two-storied inn, in an empty large compound which was surrounded by a mud wall as high as a man's head. The inn was kept by nine Hindoo brothers, its owners. They lived, with their families, in a one-storied building within the compound, but off to one side, and there was always a long pile of their little comely brown children loosely stacked in its veranda, and a detachment of the parents wedged among them, smoking the hookah or the howdah, or whatever they call it. By the veranda stood a palm, and a monkey lived in it, and led a lonesome life, and always looked sad and weary, and the crows bothered him a good deal.

The inn cow poked about the compound and emphasized the secluded and country air of the place, and there was a dog of no particular breed, who was always present in the compound, and always asleep, always stretched out baking in the sun and adding to the deep tranquility and reposefulness of the place, when the crows were away on business. White-draperied servants were coming and going all the time, but they seemed only spirits, for their feet were bare and made no sound. Down the lane a piece lived an elephant in the shade of a noble tree, and rocked and rocked, and reached about with his trunk, begging of his brown mistress or fumbling the children playing at his feet. And there were camels about, but they go on velvet feet, and were proper to the silence and serenity of the surroundings.

...

Jeypore is intensely Indian, but it has two or three features which indicate the presence of European science and European interest in the weal of the common public, such as the liberal water-supply furnished by great works built at the State's expense; good sanitation, resulting in a degree of healthfulness unusually high for India; a noble pleasure garden, with privileged days for women; schools for the instruction of native youth in advanced art, both ornamental and utilitarian; and a new and beautiful palace stocked with a museum of extraordinary interest and value. Without the Maharaja's sympathy and purse these beneficences could not have been created; but he is a man of wide views and large generosities, and all such matters find hospitality with him.

We drove often to the city from the hotel Kaiser-i-Hind, a journey which was always full of interest, both night and day, for that country road was never quiet, never empty, but was always India in motion, always a streaming flood of brown people clothed in smouchings from the rainbow, a tossing and moiling flood, happy, noisy, a charming and satisfying confusion of strange human and strange animal life and equally strange and outlandish vehicles.

And the city itself is a curiosity. Any Indian city is that, but this one is not like any other that we saw. It is shut up in a lofty turreted wall; the main body of it is divided into six parts by perfectly straight streets that are more than a hundred feet wide; the blocks of houses exhibit a long frontage of the most taking architectural quaintnesses, the straight lines being broken everywhere by pretty little balconies, pillared and highly ornamented, and other cunning and cozy and inviting perches and projections, and many of the fronts are curiously pictured by the brush, and the whole of them have the soft rich tint of strawberry ice-cream. One cannot look down the far stretch of the chief street and persuade himself that these are real houses, and that it is all out of doors—the impression that it is an unreality, a picture, a scene in a theater, is the only one that will take hold.

Then there came a great day when this illusion was more pronounced than ever. A rich Hindoo had been spending a fortune upon the manufacture of a crowd of idols and accompanying paraphernalia whose purpose was to illustrate scenes in the life of his especial god or saint, and this fine show was to be brought through the town in processional state at ten in the morning. As we passed through the great public pleasure garden on our way to the city we found it crowded with natives. That was one sight. Then there was another. In the midst of the spacious lawns stands the palace which contains the museum—a beautiful construction of stone which shows arched colonnades, one above another, and receding, terrace-fashion, toward the sky. Every one of these terraces, all the way to the top one, was packed and jammed with natives. One must try to imagine those solid masses of splendid color, one above another, up and up, against the blue sky, and the Indian sun turning them all to beds of fire and flame.

Later, when we reached the city, and glanced down the chief avenue, smouldering in its crushed-strawberry tint, those splendid effects were repeated; for every balcony, and every fanciful bird-cage of a snuggery countersunk in the house-fronts, and all the long lines of roofs were crowded with people, and each crowd was an explosion of brilliant color.

Then the wide street itself, away down and down and down into the distance, was alive with gorgeously-clothed people not still, but moving, swaying, drifting, eddying, a delirious display of all colors and all shades of color, delicate, lovely, pale, soft, strong, stunning, vivid, brilliant, a sort of storm of sweetpea blossoms passing on the wings of a hurricane; and presently, through this storm of color, came swaying and swinging the majestic elephants, clothed in their Sunday best of gaudinesses, and the long procession of fanciful trucks freighted with their groups of curious and costly images, and then the long rearguard of stately camels, with their picturesque riders.

For color, and picturesqueness, and novelty, and outlandishness, and sustained interest and fascination, it was the most satisfying show I had ever seen, and I suppose I shall not have the privilege of looking upon its like again.